Mastering Color Grading with Davinci Resolve and the Panasonic Lumix S1: A Guide to HLG and V-Log Profiles

As a video producer, I recently acquired the Panasonic Lumix S1 to take my productions to the next level. With its impressive specs, including 4K30p 10-bit recording at 150Mbps and 4K60p 10bit recording at 200Mbps, I was excited to dive into color grading using Davinci Resolve on my Mac. One of the key features that caught my attention was the camera's support for Hybrid Log Gamma (HLG) and V-Log profiles.

For those unfamiliar, HLG is a format designed by the BBC and NHK to deliver HDR content in a way that is compatible with existing broadcast infrastructure. It offers better contrast ratios and color accuracy compared to standard dynamic range formats. On the other hand, V-Log is a logarithmic gamma curve developed by Panasonic for their cameras, which provides a wider dynamic range and increased color accuracy.

To get started with color grading on my Lumix S1 using Davinci Resolve, I began by creating a new project in the software. I then imported my footage from the camera, selecting the relevant HLG or V-Log clips. Next, I clicked on Camera LUT and chose Leeming LUT One - Sony HLG for Rec to apply the correct color profile to my footage.

The Leeming LUT is a popular choice among videographers, as it provides a natural look that is easy to work with in post-production. The LUT is designed to mimic the characteristics of film stock, with subtle grain and a pleasing color palette. I found that applying this LUT to my HLG footage resulted in a cinematic look that was ideal for my production.

In addition to the Leeming LUT, I also experimented with other LUTs from various creators. One of my favorites is the Driftwood LUT, which adds a warm, film-like quality to my footage. Another popular option is the 3D LUT pack by auxout, which includes a range of creative looks and color grading options.

One of the key benefits of using Davinci Resolve with my Lumix S1 is the ability to work in near real-time on my Mac. This allows me to quickly review and adjust my footage without waiting for lengthy rendering times. The software's advanced color grading tools and LUT support make it easy to achieve professional-looking results, even when working with complex HDR content.

In conclusion, mastering color grading with Davinci Resolve and the Panasonic Lumix S1 is a powerful combination that can elevate your video productions to new heights. With its impressive specs, advanced color grading tools, and extensive LUT library, this camera and software duo provides endless creative possibilities for videographers of all levels. Whether you're working on a documentary, commercial, or feature film, the Lumix S1 and Davinci Resolve are an unbeatable combination that will help you achieve stunning results.

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